Dutch Post-Impressionist Painter, 1853-1890 Vincent Willem van Gogh (30 March 1853 ?C 29 July 1890) was a Dutch Post-Impressionist artist. Some of his paintings are now among the world's best known, most popular and expensive works of art. Van Gogh spent his early adult life working for a firm of art dealers. After a brief spell as a teacher, he became a missionary worker in a very poor mining region. He did not embark upon a career as an artist until 1880. Initially, Van Gogh worked only with sombre colours, until he encountered Impressionism and Neo-Impressionism in Paris. He incorporated their brighter colours and style of painting into a uniquely recognizable style, which was fully developed during the time he spent at Arles, France. He produced more than 2,000 works, including around 900 paintings and 1,100 drawings and sketches, during the last ten years of his life. Most of his best-known works were produced in the final two years of his life, during which time he cut off part of his left ear following a breakdown in his friendship with Paul Gauguin. After this he suffered recurrent bouts of mental illness, which led to his suicide. The central figure in Van Gogh's life was his brother Theo, who continually and selflessly provided financial support. Their lifelong friendship is documented in numerous letters they exchanged from August 1872 onwards. Van Gogh is a pioneer of what came to be known as Expressionism. He had an enormous influence on 20th century art, especially on the Fauves and German Expressionists.  Related Paintings of Vincent Van Gogh :. | View of Paris From Montmatre | Les Alpilles,Mountainous Landscape near Saint-Remy (nn04) | Field of Spring Wheat at Sunrise (nn04) | Still life with Copper Kettle,Jar and Potatoes (nn040 | The Sower (nn04) |
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William Strutt
English Painter, ca.1825-1915 was an English artist. Strutt was born in Teignmouth, Devon, England, and came from a family of artists, his grandfather, Joseph Strutt, was a well-known author and artist, his father, William Thomas Strutt, was a good miniature painter. William Strutt enjoyed a student life in Paris, France, and England, studying figurative and history painting. In response to a near-breakdown and problems with his eyes, Strutt decided to visit Australia, arriving 5 July 1850 on the Culloden, where he then married. In Melbourne, Strutt found employment as an illustrator on the short-lived Illustrated Australian Magazine, published by Thomas Ham, as there was little demand for the figurative and history paintings for which he was trained. Some of his designs did, however, lead to commissions, including a design for a new postage stamp, and an Anti-Transportation League card. Despite the lack of interest for major history paintings in Melbourne, Strutt continued to sketch suitable subjects, including the "Black Thursday" bushfires, which swept over the colony on 6 February 1851. It was from these sketches that Strutt composed one of his most notable paintings some 10 years later, Black Thursday, February 6th. 1851, 1864, which depicted animals and men fleeing from the fire. In February 1852, Strutt joined the growing tide of men travelling to the gold-fields surrounding Ballarat, Victoria. Despite working in the gold fields for eighteen months he found little success. He returned to Melbourne in mid-1853 and became actively involved in the city's cultural scene, undertaking a number of portrait commissions and joining the Victorian Society of Fine Arts as a founding member. William Strutt, Portrait of John Pascoe Fawkner, founder of Melbourne, 1856: oil on canvas; 61.3 x 51.2 cm. National Library of Australia.Strutt's interest in depicting the notable events of the colony was piqued by the events surrounding the Victorian Exploring Expedition led by Burke and Wills in 1860-61. He made several studies of their preparations at Royal Park, Melbourne, and followed the expedition to its first camp at Essendon, Victoria. Strutt also collected first-hand accounts from the rescue party and from John King,
Eilif Peterssen
1852-1928 was a Norwegian painter. He attended the of Fredrik Eckersberg in Kristiania (now Oslo) in 1866 and 1870. After that, he studied painting briefly with Knud Bergslien at the Johan Fredrick Eckersberg School of Painting and left to go abroad in 1871. He studied at the School of Art of Copenhagen; in Karlsruhe (1871?C1873), where he was a student of Hans Gude; and, together with Hans Heyerdahl, in Munich under Wilhelm von Diez. He then studied in London, Paris, and Italy. After these travels, he returned to Norway and settled in Bærum. He made his debut at the Høstutstillingen (Autumn Exposition) in Kristiania in 1882. He was a profound connoisseur of European art and was later associated groups such as Lysaker, the painters of Fleskum and those of Skagenpainters, as well as with individual artists like August Eiebakke, Kitty Kielland and Harald Oskar Sohlberg. In Norway, he is also known as the designer of the coat of arms of Norway, adopted when the country separated from Sweden in 1905 to become an independent country. This version was used for official government purposes until 1937, when it was replaced by a new version. Nonetheless, Peterssen's design is still used for the royal coat of arms and for the royal flag. In addition to his canvasses, he collaborated on the decoration of the Tourist Hotel in Holmenkollen in 1889. In the same year, he painted the murals "The Wanderers of Emmaus" in the Church of Tanum in Bærum and "Jesus in the Garden of Gethsemane" in the Church of the Cross, Bergen.
Eugene Boudin
1824-1898 French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.